JAKARTA Setelah berkeliling di sejumlah ajang festival internasional bergengsi, kini giliran film 'Marlina si Pembunuh dalam Empat Babak' bakal diputar di seluruh bioskop di tanah air pada pertengahan November 2017 mendatang. Film besutan sutradara Mouly Surya yang dibintangi Marsha Timothy ini, sudah sempat masuk dalam seleksi festival film Cannes pada Mei 2017 lalu 1 Marlina Si Pembunuh dalam Empat Babak (2017) Karya sutradara Mouly Surya ini dibintangi oleh Marsha Timothy. Film ini mengangkat kisah tentang seorang janda muda yang membalaskan dendamnya kepada para perampok karena mereka telah mengancam nyawa, harta, dan juga kehormatan Marlina (Marsha Timothy). FILMberjudul Marlina si Pembunuh dalam Empat Babak besutan sutradara Mouly Surya sukses masuk seleksi beberapa festival film internasiona Minggu, 24 Jul 2022 WIB E-paper Media Indonesia Hari Ini Babakpertama film Marlina Si Pembunuh Dalam Empat Babak dimulai ketika Marlina (Marsha Timothy) yang kedatangan tujuh perampok di rumahnya. Mereka mengancam nyawa, harta dan juga kehormatan Marlina. Tidak tanggung-tanggung, para perampok tersebut melakukan itu semua di hadapan suaminya yang sudah berbentuk mumi dan duduk di pojok ruangan. Marlina si Pembunuh dalam Empat Babak adalah pilihan kami yang bulat untuk penghargaan NETPAC di Five Flavours Asian Film Festival tahun ini. Film ini memiliki visi tunggal yang unik, terutama dalam kualitas gayanya, menggunakan ikonografi genre Western yang ditransformasikan ke lanskap Asia kontemporer. TEMPOCO, Jakarta - Film Marlina Si Pembunuh dalam Empat Babak" terpilih sebagai film yang mewakili Indonesia di perhelatan Academy Awards atau Oscar 2019. Film karya sutradara Mouly Surya ini akan bersaing dengan deretan film lainnya untuk menyabet penghargaan kategori Best Foreign Languange atau film berbahasa asing terbaik. 11Rekomendasi Netflix Minggu Ini, Ada Film Marlina Si Pembunuh dalam Empat Babak! By Verren Christy / 30 November 2020. -Rekomendasi Netflix orisinal ini bisa kalian nikmati pada 1—6 Desember 2020. -Deretan tontonan di bawah ini berasal dari berbagai macam genre. Memasuki bulan terakhir di 2020, suasana liburan dan atmosfer khas nuansa Natal Marlinasi Pembunuh dalam Empat Babak (2017) Trailer Suatu hari di sebuah padang sabana Sumba, Indonesia, sekawanan tujuh perampok mendatangi rumah seorang janda bernama Marlina (Marsha Timothy). Mereka mengancam nyawa, harta dan juga kehormatan Marlina dihadapan suaminya yang sudah berbentuk mumi duduk di pojok ruangan. Tahunkemarin, para penonton Jogja-NETPAC beruntung banget bisa nonton penayangan perdana—di Indonesia—film Marlina si Pembunuh dalam Empat Babak. Entah kejutan apa lagi yang bakal diberikan panitia Jogja-NETPAC Asian Film Festival tahun ini. 2. Festival Danau Toba (5-8 Desember) Sponsorfilm Marlina Si Pembunuh dalam Empat Babak [sumber gambar] Tak ayal jika banyak negara asing yang bersedia menjadi sponsor mereka, sebab budaya yang diangkat cukup menarik.Adalah negara Prancis yang menyumbangkan dana dengan cukup besar, diikuti oleh rumah produksi Malaysia, Singapura, dan Thailand. gfnG. Jakarta, IDN Times - Tanggal 16 November mendatang, film bergenre thriller berjudul Marlina Si Pembunuh Dalam Empat Babak mulai tayang di seluruh bioskop di ke-3 dari Mouly Surya yang digarap sejak tahun 2014 bersama Garin Nugroho dan diproduseri oleh Rama Adi serta Fauzan Zidni ini, sukses menyabet berbagai penghargaan di berbagai festival film pemain ternama dan berbakat hadir dalam film ini. Di antaranya Marsha Timothy Marlina, Yoga Pratama Franz, Egi Fedly Markus, Dea Panendra Novi hingga Indra Birowo Umbu. Baca juga Keluarga Tak Kasat Mata Bakal Ramaikan Film Bergenre Film ini lebih menceritakan perjuangan hidup Marlina. Dimana ia adalah seorang janda muda dari perbukitan di pulau Sumba, suatu hari di sebuah padang sabana Sumba, di Indonesia, sekawanan perampok mendatangi rumahnya dan mengancam harta, nyawa serta kehormatannya dihadapan suaminya yang telah berbentuk mumi duduk di sebelah pojok Demi mencari keadilan dan juga penebusan, dalam sebuah perjalananya, dirinya membawa kepala dari bos si perampok tersebut, yaitu Markus Egi Fedly, yang dipenggalnya tadi Marlina bertemu juga dengan Novi Dea Panendra, yang menunggu kelahiran bayinya dan juga Franz Yoga Pratama, yang menginginkan kepala Markus untuk berjalan tanpa kepala, Markus menguntit Marlina. Bagaimaana selanjutnya? Saksikan filmnya hanya dibioskop kesayangan juga 10 Fakta Film Keluarga Tak Kasat Mata, Bikin Merinding "Marlina" is a wester-slash-road-movie about an independent woman fighting back against male aggressors and seeks redemption or justice for herself. Throughout her journey through the desertlike rural area of Indonesia and its small villages if you can call them that - they mostly consist of single houses surrounded by desert and a solitary, dusty road, Marlina encounters a number of women who, if not as violently as Marlina, have in some other ways experienced injustice from men who were not condoned for it. Not being an Indonesian woman myself, I cannot account for "Marlina"'s accurateness in depicting gender discrimination in the country, but it is probably safe to assume that director Mouly Surya is not particularly interested in providing deep insight the mechanics of sexism. "Marlina" is a feminist film in the same way that Tarantino's "Kill Bill" movies or "Mad Max Fury Road" are feminist films They portray strong female characters taking revenge on or otherwise trying to dismantle a chauvinist society that has wronged them. The specifics of the villains' ideology don't matter much - in one scene near the beginning, one of Marlina's robbers compares her cooking to his sister's and his mother's, inviting the question, how does he treat these women that he apparently has some respect for, if he compares their cooking to that of his potential rape victim? The movie never attempts to answer or expand upon that question or similar ones, as all of the men in the film lack more-dimensional characterisations. That is not meant to be a criticism of the film, though, as Mouly Surya wisely makes it stylized enough to make it work as a simple genre movie, a revenge tale set in an uncaring and rough world of rapists, thieves, and cowards. When Marlina rides on horseback on the sandy road, with the cut-off head of her rapist under her arms, the film enters almost surreal territory. This is helped by a great Morricone-esque score that, in several of the largely slow-paced scenes, builds tension. Thankfully, in contrast to the men, most of the women in the film are given much deeper and more well-rounded characters to play. Even the comic relief character, an elderly woman who enters the drama as she is on her way to bring her nephew's wife his dowry, deepens the universe of the film's story and gets a couple laughs, as well. Novi, a pregnant friend of Marlina's, is probably the most developed of the side characters here, and her arc is a very powerful subplot in the film. And of course, Marlina herself is played very well, too. It's admirable that, even if the movie overall is, by default, black-and-white in its characterisations, Mouly Surya allows her protagonists to show weakness, too, when they are confronted with potential danger and trauma. The landscapes are beautifully shot, and although I would assume the film is a rather low-budget production, it never looks as cheap as it probably is. That's because the cinematographer has a very good eye for composing their images, and the lack of production value never shows. Another element that greatly deepened the film's impact is the soundtrack. The film is very slow-paced, so framing the shots in a way that invites you to look at them for a couple of seconds longer and laying good music over them that suits the mood of the story was very vital to the film's success, and in my opinion they pulled that off very well, for the most part. The biggest downside of the film is that the slow pacing doesn't always work out perfectly. Because the story is so simple and, quite frankly, if you've seen other rape-and-revenge films before, you know how these movies work, there are long stretches of film in which you know exactly where it is going, but it takes the story too long to get there. It's not always equally entertaining. Also, the lack of dimensionality in its storytelling can be a bit boring after a while. However, the high points are so high that I can easily forgive the film for some of its flaws and recommend it almost universally. Marlina Si Pembunuh dalam Empat BabakSynopsisIn the deserted hills of an Indonesian island, Marlina, a young widow, is attacked and robbed of all her livestock by a gang of bandits. She defends herself, setting out on a journey to find justice. But the road is long, especially when she begins to be haunted by the ghost of her the deserted hills of an Indonesian island, Marlina, a young widow, is attacked and robbed of all her livestock by a gang of bandits. She defends herself, setting out on a journey to find justice. But the road is long, especially when she begins to be haunted by the ghost of her victim.