Whats New On Netflix, Hulu, Amazon Prime Video, And HBO This Weekend: 'Suicide Squad', 'The Handmaiden', 'Sandy Wexler', And More. By Jade Budowski Apr 14, 2017. Big blockbusters, comedy
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X0wPFnq. 2016 Original Title 아가씨 Watch Now Filters Streaming in Stream Subs SynopsisIn 1930s Korea, a swindler and a young woman pose as a Japanese count and a handmaiden to seduce a Japanese heiress and steal her Handmaiden - watch online streaming, buy or rentCurrently you are able to watch "The Handmaiden" streaming on FilmBox+. Videos Trailers, Teasers, FeaturettesJustwatch daily streaming chartsFriends with Benefits -55Scream VI -23The Handmaiden -74The Green Mile -7Operation Fortune Ruse de Guerre -42Rating 89% 157k Genres Drama, Romance, Mystery & Thriller Runtime2h 25minDirector Park Chan-wook Cast Kim Min-hee Lady Hideko Kim Tae-ri Sookee Ha Jung-woo Count Fujiwara Cho Jin-woong Uncle Kouzuki Kim Hae-sook Ms. Sasaki Moon So-ri Aunt of Noble Lady Lee Yong-nyeo Bok-soon Kwak Eun-jin Kkeut-dan Lee Dong-hwi Goo-gai Jo Eun-hyung Young Hideko Rina Takagi Hideko's Mother Lee Kyu-jung Maid 1 Kim Si-eun Maid 2 Ha Si-yeon Maid 3 Kim Eun-yeong Maid 4 Jeong Ha-dam Maid 5 Kim In-woo Audience Member Choi Byung-mo Audience Member Choi Jong-ryul Audience Member Bae Il-hyuck Audience Member Oh Man-seok Audience Member Tomomitsu Adachi Mental Hospital Doctor 1 Takashi Kakizawa Mental Hospital Doctor 2 Seon Uk-hyeon Harbor Ticket Office Staff Lim Han-bin Boy in picture uncredited Shinsuke Fujimoto Japanese Officer Won Geun-hui Butler Jung In-gyeom Ronin 1 Nam Gyeong-min Ronin 2 Lee Ji-ha Female owner of ryokan Katsuhiro Nagano Monk Popular movies coming soon Upcoming Drama movies Happiness for BeginnersLove at First Sight
Park Chan-wook, the Korean filmmaker behind “Oldboy” and last year’s “Decision to Leave,” has joined as producer and co-writer of historical drama film “War and Revolt.” The film is Park’s first collaboration with Netflix, the global streaming platform that is market leader in Korea and which has been instrumental in the global success of Korean contemporary culture. “War and Revolt” tells the story of two childhood friends, portrayed by Gang Dong-won and Park Jeong-min, who become adversaries. It is directed by Kim Sang-man “Midnight from a script by Shin Chul and Park Chan-wook. Production is by Moho Film, the powerhouse indie behind Park’s “Decision to Leave,” “The Handmaiden” and the 2013 Bong Joon Ho-directed “Snowpiercer” film, in collaboration with Semicolon Studio. Gang “Jeon Woochi,” “Secret Reunion” “The Priests” takes center stage as the enigmatic Cheon-young, a character whose remarkable martial prowess defies his humble origins as a slave. Struggling to break free from the chains of servitude, Cheon-young combines charm and action. Park Jeong-min “Decision to Leave,” “Dongju The Portrait of a Poet” assumes the role of Jong-ryeo, Cheon-young’s former master and scion of the Joseon dynasty’s most influential military family. After passing the military service exam, Jong-ryeo becomes King Seonjo’s personal guard, leading to a heart-wrenching reunion with his former friend. The role requires delving into the complex psyche of a man torn between friendship and duty. Other key roles go to Cha Seung-won, Kim Shin-rock, Jin Sun-kyu and Jung Sung-ill. Cha portrays King Seonjo, a monarch who abandons his people at the onset of the Japanese invasion, but who seeks to restore his reputation and authority after the war. Kim “Hellbound” portrays a resolute member of the civilian militia who defies social norms and confronts obstacles. Jin plays the role of a civilian militia leader descended from the traditional ruling class who emerges as an inspiring force amid the chaos of invasion. Jung hit Netflix series “The Glory” plays an intimidating Japanese warlord who recognizes Cheon-young’s extraordinary swordsmanship. Netflix gave free rein to Bong as one of Korea’s leading filmmakers to make creature feature “Okja” in 2017. The move was a major signal to other creators in Korea and kicked off an era of intense film and TV production, and content exports from Korea. Netflix recently committed to spending a further $ billion on Korean content.
TRAILER 104 Play all videos What to know The Handmaiden uses a Victorian crime novel as the loose inspiration for another visually sumptuous and absorbingly idiosyncratic outing from director Park Chan-wook. Read critic reviews Blue Is the Warmest Color Portrait of a Lady on Fire Rent The Handmaiden videos The Handmaiden Trailer 1 TRAILER 104 The Handmaiden Photos Movie Info With help from an orphaned pickpocket Kim Tae-ri, a Korean con man Ha Jung-woo devises an elaborate plot to seduce and bilk a Japanese woman Kim Min-hee out of her inheritance. Genre Mystery & thriller, Drama, Romance Original Language Korean Director Park Chan-wook Producer Park Chan-wook, Syd Lim Writer Jeong Seo-kyeong Release Date Theaters Oct 21, 2016 limited Release Date Streaming Jan 24, 2017 Box Office Gross USA $ Runtime 2h 24m Distributor Magnolia Pictures, Amazon Studios Production Co CJ Entertainment, Yong Film, Moho Film Sound Mix Dolby Digital Cast & Crew News & Interviews for The Handmaiden Critic Reviews for The Handmaiden Audience Reviews for The Handmaiden Apr 30, 2017 Beautiful, Lurid, and unpredictable. A directorial powerhouse from Park. Super Reviewer Dec 30, 2016 I'm glad there's still a filmmaker at the talent level of director Park Chan-wook Oldboy dedicated to making genuine Gothic romance with style and reverence. The Handmaiden is a ravishing, enrapturing, and momentously engaging movie with dark delights, startling depths, palpable romance, simmering tension, and high-wire twists and turns that keep redefining the story. The absurdly talented filmmaker takes a novel set in Victorian England and adapts the setting to 1930s Korea during the time of Japanese occupation, a fascinating and little-known time period for a Western audience. A poor orphan Sook-Hee Tae-ri Kim is pressured into a scheme to trick the wealthy Lady Hideko Min-hee Kim into being admitted to an insane asylum, her family riches sold. From the opening minutes, The Handmaiden produces immersive drama that pushes the central characters into consistent conflict to achieve their varying goals. They're constantly at odds with one another and themselves. There's even tension between those who hold onto their Korean culture and those who adopt the culture of their oppressors, namely Lady Hideko's perverse and treacherous uncle. Sook-Hee grows an unexpected affection for her mistress, and this includes a burgeoning attraction that the movie communicates with serious sensuality. The passionate lesbian sex scenes are, if anything, a tad restrained from what I was expecting from Chan-wook, and they're definitely far more restrained and absent the male gaze than the still excellent Blue is the Warmest Color. I felt the same carnal desire the characters were discovering, a feat worth celebrating for still staying true tonally without veering into tawdry exploitation. More than the sex or the top-notch technical aspects, it was the characters that hooked me and refuse to relinquish. The deepening relationships and the subtle shifts of loyalty, perception, and desire make what is essentially a twisty and twisted chamber-play into world-class drama. You think it's one kind of movie, and then it flips the script, and then it does it again, each time opening wider this mysterious, dangerous, and invigorating world. My one quibble is that the final twenty minutes feels unnecessary and self-indulgent, Chan-wook finally scratching a few violent tendencies he had been keeping as veiled up to that point. The Handmaiden is a ridiculously entertaining movie that is handsomely mounted, wonderfully acted by its leading ladies, and a romance worth losing your self over. Plus, there's also the sex. Nate's Grade A- Dec 05, 2016 Park Chan-Wook explores the power of narrative the way you tell a story and its ramifications, creating another astounding visual spectacle full of dark humor, sexual desire, betrayal and revenge, with intense performances and a wonderful production design, editing and score. Super Reviewer Dec 04, 2016 Near faultless film, beautifully acted and photographed, not to mention fantastically edited, and as an adaptation of The Fingersmith it is truly inspired. Though it threatens to cross over into parody during some of the sex scenes it just manages to keep suspension of disbelief thanks to the humour in the script and performances. A dazzling treat; already I can see this being in my top 10 at years' end. Super Reviewer